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我的快乐一直在
电锯人作为一部优秀且个人特色拉满的漫画，要想改编好是很困难的。藤本树的精髓在于黑色幽默，电影式分镜和意想不到的情节展开，适合动画化的动作场面并不算多也不算优秀，很考验团队的能力。诚然如果找一些同样存在感拉满的监督来做有概率会碰撞出很好的效果，但mappa和索尼选择了更稳妥的方式。巨大的投入保证下限，12ed拉满保证排面和热度，选一个新人监督塞一堆新人声优保证各方利益。你可以不喜欢棒读声优不喜欢新人监督和他追求真实的风格不喜欢有点僵硬的动作戏，虽然可能用心的方向有些偏差，但主创的诚意是能在饱含细节的画面里看到的。并且得益于原作优秀的剧本，相信只看动画的新人也能感受到作品的有趣。作为从炎拳连载就开始关注藤本树的读者，看到他的作品能被如此高规格对待，也算是挺欣慰吧
草莓少女梦
Epitome of the mainstream action-comedy Hollywoodia flick. It’s a succession of clicheys and cool jokes, combined in the most formulaic package, completed with the “l(fā)ove is the answer” happy ending, the occasional though useless sexposing, the bloodless violence & action and suspense simulacrum. In it everything is objectified and reduced to a commodified version of reality: flight hostesses are walking tits, radio hosts are hysterical Black queens, villains speak in British accents, Moms are depressive-possessive nagging bitches, half-naked Hawaiians make the welcoming hotel staff, flying food trucks are run by old Asians and the list goes on... Story is laughably weak too.
